Yet what Gambá and his followers had set in motion was not about to die. His death was a huge blow, not just to friends, but to anyone who believes in a better city." "He was reaping the rewards of all his hard work. "Things were going so well for him," says Domingos. He was murdered while on his way home from a party, possibly in a homophobic attack. Tragically, before the film was finished Gambá was dead. At its core is the friendship between Cebolinha and the scene's other lynchpin, Gambá, a 21-year-old plasterer who dances in purple leggings and whose contagious joy for life lights up the movie. The film, which won the New Directions award at Rio's 2012 international film festival, follows a group of dancers during a citywide competition to crown the king of passinho. To see kids between the ages of three and 23 developing such a sophisticated art form is extraordinary." He was thrilled to see "such a varied group of artists spread out all across the city, with no money but mobilised by the internet. It all caught the eye of Emílio Domingos, who captured the phenomenon in Passinho Dance-Off, a feature-length documentary. Reading this on mobile? Click here to view video Many perform barefoot, freely improvising from such Brazilian dance styles as samba, capoeira and frevo, as well as free step, hip-hop – and even ballet. The footage is often shot on phones and features dancers practicing in cramped living rooms, or on concrete rooftops with Sugarloaf Mountain as a backdrop. In bedrooms across Rio youngsters like Tico Maneiro, who runs the YouTube channel Improvizoides, are editing and uploading zero-budget videos from their laptops. "Without it, I would never have discovered passinho." "I owe everything to the internet," says 18-year-old Michel Gomes, AKA Michel Mista Passista, one of the scene's most thrilling dancers despite suffering from phocomelia, a congenital condition that left him with underdeveloped arms. Online forum Passinho Foda became the laboratory for the nascent style, its role pivotal since Rio's three rival drug factions restrict residents' movement between favelas. A torrent of copycat videos followed as each Rio community tried to earn bragging rights over their neighbours. Passinho Foda or "fucking crazy" passinho, which has now notched up over 4m views, unleashed a fever. It was in September 2008 that the first passinho video surfaced of friends from the Jacaré area of Rio fooling around at a barbecue. I’m not going to stop.Its unstoppable rise has been catalysed by YouTube. Those are dances to celebrate the cultural diversity of the world. They belong to Ronaldinho, Neymar, Paquetá, Griezmann, João Félix and Matheus Cunha … they belong to Brazilian funk and samba artists, reggaeton singers, and black Americans. “Weeks ago they began to criminalise my dances. The happiness of a black Brazilian successful in Europe upsets much more,” Vinícius wrote. Vinícius was then targeted with monkey chants by Atlético Madrid supporters in Real’s 2-1 victory, having said in a post on Instagram he would keep dancing despite being warned there would be “trouble” by the Atlético captain, Koke, if he did. In September, the Real Madrid forward was accused of not respecting his opponents and told to “stop playing the monkey” by Pedro Bravo – a leading agent and president of the Association of Spanish Agents – on live television after celebrating his goals by dancing. It’s our moment, we scored the goal, Brazil is celebrating.” skip past newsletter promotionįor Vinícius Júnior, who scored the first goal against South Korea, the criticism will have had particular resonance. We don’t do it to disrespect, we don’t do it in front of the opponent,” said West Ham’s Lucas Paquetá after the South Korea match. But after Bebeto and Romario’s cradle‑rocking routine in 1994 that was a tribute to the former’s newborn Mattheus Oliveira – now 28 and playing in the Portuguese second division – it is Brazil that has always had the strongest tradition to uphold. Roger Milla’s corner flag wiggle at Italia 90 and again at USA 1994 were inspired “by his own imagination” according to the Cameroon striker, while Papa Bouba Diop celebrated his goal against France, the holders, in 2002 by removing his shirt and performing a mbalax dance with his Senegal teammates. However, the tradition of celebrating goals with dance routines is generally a more recent phenomenon that has not been restricted to Brazilians. Two decades after their triumph in Chile – with Brazil having won a third World Cup in 1970 – Júnior celebrated scoring the third goal against Argentina in Spain 1982 with some impromptu samba steps but they were surprisingly beaten by eventual winners Italy. Garrincha with his wife, the samba singer Elza Soares.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |